Showing posts with label editing. Show all posts
Showing posts with label editing. Show all posts

Monday, September 18, 2017

First Drafts Aren't Perfect - My Guest Post on Proof Positive

http://www.proofpositivepro.com/writing-2/the-importance-of-rewriting/

I'm excited to share that I'm a guest author on Proof Positive's blog today! I discuss the favors you do yourself by taking breaks from re-reading and editing your novel. Here's a snippet:
"The words poured effortlessly from my fingertips and onto the page completely free of grammatical errors and typos, forming a perfect, succinct, and intriguing story that everyone in the world wanted to read…said no author ever."
Click HERE to check out my tips on how to edit, revise, and polish your novel.

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If you enjoyed my post on rewriting, you might benefit from these too:

Thursday, August 31, 2017

The Month in Writing: My Favorite Things and Tips

Writing is hard work, which is why I'm always on the hunt to improve my craft and dream up new story ideas.

Take a look at what I've been reading this month and a few other things that inspired me.


Articles:

Writing tips from one of my favorite authors.

https://www.pinterest.com/pin/57983913924560471/

































































Quotes for Writers:
Make a fool of yourself. 

Everybody does at one time or another. :P


https://www.pinterest.com/pin/AS3cZ0BS3wywQm4l_hbDuIRH3uMOXe6-tBlxAWZ1Vmk8mh2VXlFQrXU/
 

















Infographics:
Instead of 'Look' Use

I love these helpful worksheets.



Cool Stuff for Writers:

I want one!

https://fab.com/product/working-fountain-pen-necklace-298546?fref=hardpin_type526&frefl=Pinterest_Hardpin&ltb=on&pos=18&ref=sale


















Writing Fuel:

Salivating yet?

https://www.pinterest.com/pin/405675878925213139/





































































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Did you miss last month's writing tips and cool stuff? Click here.

Have you checked out my other posts on writing?

Saturday, July 29, 2017

The Month In Writing: My Favorite Things and Tips

Writing is hard work, which is why I'm always on the hunt to improve my craft and dream up new story ideas.

Take a look at what I've been reading this month and a few other things that inspired me.

Articles:
How to Become a Happy & Productive Writer

This is such a beneficial article!

https://www.pinterest.com/pin/130393351692275870/


Cool Books:
The Little Book of Hygge: The Danish Way to Live Well

I'm obsessed with all things Hygge right now, and after you read this book, you will be too.
 

https://www.pinterest.com/pin/281052832974702353/

Books for Writers:
The Bestseller Code

My good friend gave me this book and had it autographed for me. It's definitely worth a read.

https://www.pinterest.com/pin/441000988498614096/


Quotes for Writers:
I Write To Give Myself Strength

Inspo anyone?
























Cool Stuff for Writers:
Octopus Typewriter

Although it's not functional, you still might be able to channel Lovecraft. That's reason enough for me.

https://www.pinterest.com/pin/405675878920218232/

Present Tense Mug
He he :)



























Infographics:
190 Ways to Say "Said"

I love these helpful worksheets. They work wonders.

https://www.pinterest.com/pin/A7pmTwEQQKEFPQnpYLYT8Z4/

Tuesday, July 11, 2017

A Darling Secret Writing Update!

GOOD NEWS!!! The final edits of A Darling Secret will be completed this week. :)

I'm also finalizing cover designs. I'm pleased to report that I'll be working with the same graphic designer, Humbert Glaffo, who did the cover for Strange Luck and The Nightmare Birds. I can't wait to share the final design with you!!!

http://www.amieirenewinters.com


I've also been working on some fun new extras. Bookmarks! Videos! Giveaways! It's all coming soon. In the meantime, you can check out goodies for my other books here.

Oh, and be sure to sign up for my newsletter so you don't miss a thing. :)



And if my smile couldn't get any bigger, here's what Christie Stratos, author of Anatomy of a Darkened Heart, had to say about A Darling Secret:
"Amie Irene Winters has built another beautiful, magical realm that will suck readers in and never let go A DARLING SECRET, the last in the Strange Luck series, launches September 22, 2017. Mark your calendars!"



Thursday, June 15, 2017

How to Edit Your Novel - My Tips and Tricks


Round 3 of editing is underway. Only 250 pages to go! :P

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Curious about my editing methods? Want to know how I plan my books? You can learn all about my process here.

Don't forget to check out my editing checklist while you're there. 

Tuesday, December 6, 2016

You Don’t Need to Say Yes to A Literary Agent If You Don’t Want To


When I finished my first book I followed the traditional publishing order of progression:
1. Write a damn good query letter

2. Send it to a ton of agents

3. Cross your fingers and pray for a miracle
Over the years I tweaked my query letter a million times to see what worked and what didn’t. I kept a massive spreadsheet of all the agents I queried, what version of my query letter I sent, what I sent them (e.g., chapter excerpt, synopsis, etc.), their general response time, and the status of my submission.

It was EXHAUSTING. And soul-crushing. Especially when I would receive a generic rejection letter like: “This project isn’t right for my list.” Or the worse possible response - no response at all.

In the end, I received lots of partial and full manuscript requests. Maybe a dozen exclusive full manuscript requests. Then, my big break came.

An agent loved my story and wanted to represent me! But...I had to make some changes to my story. We’re talking era, character names, major parts of the story taken out, etc. Whatever she asked for I did it willingly (even though I didn’t agree with the changes) because I thought that was my only option. I did three rounds of revisions with her over the course of a year.

The result?

A book I hated and didn’t even recognize anymore. She had changed everything and buried my voice, and ultimately, we parted ways. That experience led me to explore the world of self-publishing, and the more I researched it, the more it appealed to me. I started connecting with self-published authors and asking them about their experiences. One told me she turned down a major publishing deal with a Big 5 publisher because they were constantly harassing her and trying to get her to change things she didn’t want to. There seemed to be a general consensus among these authors though - ultimate freedom! And that’s exactly what I wanted.

So began my journey to publish Strange Luck. I couldn’t believe how much happier I felt while writing and how much time I had saved when I stopped querying and tracking my submissions. I wrote The Nightmare Birds next. Then something strange happened. An agent out of the blue read my first book, loved it, and wanted to represent me. It was magical. It was everything I had ever wanted, but, I was weary to give up everything I had worked so hard for. All of it made me question what I truly wanted as a writer. After a lot of thought, nail-biting, and some hair-pulling, I ultimately decided I wanted to do what I was currently doing - self-publish.



Friends and family looked at me like I was crazy (and you probably think so too), but when things came down to business and I got the final contract on my desk, it just didn’t feel right. So many things were going to change and I was terrified of losing my story all over again. I fired off an endless lineup of questions to the agent, hoping with all hope that my feelings would change, but they didn’t.

This experience prompted me to write this article to hopefully help those who might not know they have options. Whether you have an interested agent, or are debating between self-publishing and traditional publishing, below are some questions I asked the agent that helped me determine if it was a good fit or not. Please remember that each literary agent is different. They have different abilities, personalities, connections, wants, and experiences. It may or may not be a match for any or all of those reasons. It's okay to say no. The most important thing you can do is to trust your intuition. If it doesn’t feel right, it’s probably not. If they are everything you've ever wanted and you feel great about it, then by all means scream "yes" from the rooftop. Do what works best for you and your story.


Questions to Ask A Literary Agent Before You Sign:
1. How long have you been an agent? 
2. How long has the agency been in practice? 
3. How long is your average client relationship? 
4. Are you a member of AAR? 
5. How long would our contract be? 
6. What percentage of projects that you sign do you sell?

7. If you’re unable to find a publisher, what would be the next step? Would I need to re-edit and then resubmit, or would the publisher accept me on the condition that I work with their assigned editor and make the changes? 
8. Can I speak to one or two of your clients about their experiences? 
9. What is your procedure and time-frame for payment of author royalties and advances received from the publisher?

10. How often would you update me regarding publishing prospects and developments?

11. Have you represented books in this genre before?

12. If a publisher did accept my book(s), what kind of control would they have?

13. Do you think my books have a stronger market in the US or internationally?

14. Can you tell me about a few recent sales you made? Any with the publishers that you have in mind for my book?

15. Will you represent every book I write, including the ones I’ve already self-published?

16. What are the terms of your contract? Is there a specific length of time, etc.?

17. What co-agents do you work with for foreign rights, film rights and other sub-rights? Is there someone in-house who specializes in this? Can you tell me about some recent successes selling sub-rights of a project?

18. What support (e.g., marketing, promo, etc.) would the agency offer me?
19. What is your commission?  
20. If I did receive an advance from a publisher, would it be considered a "loan" against future sales?

21. Do the publishers you work with have a "do not compete" clause?

22. If we did sell the books to a publisher what would happen to the current books out there? Would they be replaced on Kindle with a new cover uploaded, etc., or be deleted entirely and posted as a new title? What about my current reviews out there? Would they all go away?

23. What would be the significant benefits of me signing with a publisher vs. remaining self-published? What could a publisher offer me that I’m currently not already doing?
I hope that this article helps you make the best decision possible for you and your book.

As for me, if another opportunity were to present itself I would start by asking the same questions and going from there. It may or may not be a match, but that's okay. In the meantime, I'm perfectly content with doing what I'm currently doing.





Have you checked out my other posts on writing and self-publishing? You might enjoy these, too:

Thursday, December 1, 2016

The Art of the Review: What Makes a Book Good? - Guest Post by Fantasia Reviews

Have you ever wondered what specifics a book reviewer looks for in a book? Or, what makes the difference between a one-star review and a five-star review? You're in luck! Fantasia Reviews has graciously written a guest post for The Golden Cricket about what makes a good book.



The Art of the Review: What Makes a Book Good?

Three components go into writing a work of fiction: creativity, skill, and a message. Creativity comes from the mind of the author, in a work of fiction, particularly speculative fiction, this is where the world is built, characters are born, and a story is made. The skill of the author comes into play as they construct their prose, it is those words, those lines, which breathe life into a work; they give the author’s thoughts form. Finally, there is the message; the intent and the worldview of the author that inevitably and indelibly mark any work that they create. These forces together give us a work of fiction, but rating such a work can be tricky, as mastery of all of these elements is difficult, but credit should always be given when it is due.

The story is the narrative of a book, and of all three components, is the easiest to assess. When looking at any story, we look at originality, plausibility within the bounds of the world, and cohesion. Originality is easy to judge. We ask ourselves, have we seen anything like this before, and if so, where? If the answer is yes, and it often is as there is little new under the sun, we try to see how the author made the story their own. What did they add? What did they remove? How do the characters grow and change? The more original ideas the author puts into a story, the better it will be. Multiple plotlines can add depth and complexity, combining old and worn-out stories into something new and exciting. A good story is original and interconnected. It does not rely on tired tropes and instead forges boldly forward, unapologetically, giving us something to enjoy and love over and over again.

An author’s writing style can be a matter of taste, but certain fundamentals can be followed. Now, this is not a tutorial on how to write, so we will not delve too deeply into good writing practices, but we can tell you what we look for in a well-written book. It should be spelling and grammar error free. Nothing breaks immersion like a misspelled or misused word. That being said, nobody is perfect. The occasional error is expected, but repeated mistakes will annoy readers. You should have a developed vocabulary that is appropriate for the target audience. Juxtaposition is a great word but probably does not belong in middle-grade reading. Of course, simple and repetitive language can and will bore readers. If you frequently find yourself repeating words or using the word ‘thing,' you may want to consider breaking out the thesaurus. Readers want to be entertained not frustrated or anesthetized.

The most subjective of all of the components is the message, i.e. what does the book say to the reader? Whether the author means for it or not, a bit of their worldview makes it into their work. There is nothing wrong with that, so long as it does not come across as if the work was meant to proselytize. Themes will also often come through, whether intentional or unintentional. Now, some of this will be lost on some readers, because not everyone reads books for the same reasons. As reviewers, though, we love robust themes, compelling conflicts, and the ability to relate aspects of a book to our lives and world events. When properly executed, you can expose readers to ideas that they had never considered before, or make them see an issue from a new perspective. Now, this does not need to be a goal for the author; it is up to the reader to make these interpretations, but inspiration can be added with a deft hand. Interpretations may even vary from reader to reader, and that is fine too. What matters the most is that the author is bold enough to inject this kind of material into their narrative. Often, the strongest messages can be controversial or even upsetting to some. Examples of issues worthy of exploration are racism, misogyny, and the dichotomy (or lack thereof) of good and evil. Now, not all authors set out to send a message, and that is fine too, but a well-crafted message can only serve to enhance the experience of a strong narrative.

 

When we write reviews, we take all of this into consideration. To rate a work on one metric would be disingenuous since so much goes into writing a book. Authors have different strengths and weaknesses. Some are great storytellers, but their writing skills are lacking. Others may have degrees in literature, but lack the creativity to make something great. We should congratulate these people on their strengths, but their weaknesses should be exposed, as reviews are as much for the author as they are the reader. In the end, we all just want to read a good book.

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Thank you for sharing this informative article. I've had my books reviewed by various book bloggers and it's always surprising when they don't list what/how they are evaluating your work. This can be incredibly frustrating, especially if you're trying to determine if they would even like your book in the first place. That said, I really think that other authors out there will greatly benefit from your post. I know I certainly did!

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Fantasia Reviews is comprised of a group of fantasy authors, and readers who love to give reviews to works they find are undiscovered, underappreciated or just the books they love. If you think your work is appropriate, you can contact them here.

Links:
Website
Facebook
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Tuesday, November 22, 2016

Planning Your Novel, Part 3: Editing Like A Pro

We all have certain phrases or favorite words that we use way too often. For my first book, Strange Luck, my editor informed me that I used the word "suddenly" WAY too much. I didn't believe her until I looked it up myself and found that I used it nearly 100 times. Learning from that experience, I significantly cut back on using the word "suddenly" in my next book, The Nightmare Birds, but instead was scolded for using the word "gulped" too much. As in...she gulped, he gulped, I gulped. Sure enough, I had used that word almost as much as I had used "suddenly" without even realizing it. Whatever your weak word is, it can be the difference between a reader continuing to read, or the “yes” pile and the “slush” pile for your manuscript.

Although I’ve come across LOTS of editing checklists over the years, I haven't really found one that tells you what to specifically look for in your manuscript. Usually, I’ll come across something that says, “Make sure your use of contractions are correct.” No duh! But isn't it kinda difficult to find these things in a manuscript if you don’t know what to look for?

Enter my "Editing Checklist". I recommend doing a global search of your manuscript (go into Word and hit the Find button, or simply Ctrl F) to help expedite your search for these common editing errors:
1) Capitalize mom, dad, grandpa, etc., when used in place of a proper name and use lowercase letters when used as a modifier.

2) Italicize the character’s inner dialogue or thoughts.

3) Remove the phrase “for some reason”. This is overused verbiage.

4) Remove the word “very”. This is an overused modifier and when removed it can significantly tighten your sentence.

5) Remove the word “suddenly”. This is an overused modifier.

6) Double check “it's” to see if you really mean “its”. If you fail to catch this error, you could look like an amateur.

7) Consider if ellipses are needed. They should only be used to show trailing off speech or a pause in speech. If they are needed, pay attention to how often you use them. They are much more rare than you might expect.

8) Consider removing the words "caused", "causing", "managed", and "managing". These words can easily weaken sentences and add extra words. You can usually leave them out and use the main verb.

9) Double-check your use of “to” to see if you really mean “too”.

10) The words “soon”, “some”, “someone”, and “something” are frequently overused. Do a global search for each of these words. This way you’ll be able to spot over usage in sentences and paragraphs.

11) Remove the word “so”. This is an overused modifier.

12) Never capitalize seasons. Search for words like “spring”.

13) Double-check the spelling of every character’s name and make sure that you have spelled them correctly and consistently. Also do this for names of towns/places, streets, and major terms.

14) Make sure there is a new paragraph every time a different character speaks.

15) Double-check your use of “form” to see if you really mean “from”.

16) Double-check your use of “fro” to see if you really mean “for”.

17) Try your best to eliminate or reduce words that end in “ly”. These words are often extra verbiage.

18) Minimize adverbs and weak words like “was/were” “had/have”, etc.

19) Double-check your use of “you’re” to see if you really mean “your” and vice versa.

20) Double-check your usage of words like “real” and “really”. Try to remove as much as possible.
Once you've gone through this editing checklist, I HIGHLY RECOMMEND printing out your manuscript. You’d be surprised how easy it is to spot overused words on paper versus a screen, and often times you’ll be able to pick up on your patterns.

Even after you've read the whole thing on paper, give it to as many people as you can for their input. Each person has a different perspective and skill set, enabling them to catch everything from common typos you might've missed to inconsistencies in your story.


After that, give it to a professional editor regardless if you intend to self-publish or submit your manuscript to literary agents. I'll repeat. GIVE IT TO A PROFESSIONAL EDITOR. No writer is perfect. I can't tell you how many Indie authors I've come across that insist that their work is perfect without having it professionally edited, and every single time it shows. If you're shooting to sign with an agent, they will NOT read your work if it's littered with typos and incorrect grammar.
Working with a professional will not only increase your chances of polishing your work, they'll bring to light your strengths and weaknesses which you can apply towards future projects.
If you're having trouble finding an editor, ask around for recommendations. Author friends and writing groups are a good place to start. You can also look in a book's acknowledgements as the author will often thank the editor. If my editor, Christie Stratos, is reading this thanks again for all of your hard work on The Nightmare Birds. :) You rock!

If all else fails, search the web. There are a zillion sites out there like Editorial Freelancers Association, which matches you with an editor. Remember, there's always a risk involved when you hire an editor, regardless if they're highly recommended or someone you hired online. Editors make mistakes and it's unreasonable to think they'll catch everything. But, as I mentioned previously, an editor's offerings are incredibly valuable and will help you in the long run.

Good luck on your editing journey.


Have you checked out my other posts on writing? You might enjoy these, too:

How to Write A Novel, Part 1: Let The Journey Begin

How to Write a Novel, Part 2: Brainstorming, Drafting, and Getting Organized

How to Be a More Productive Writer

The Importance of Rewriting

Wednesday, July 27, 2016

How to Write Historical Fiction Without Really Trying - Guest Post by Christie Stratos




I'm very pleased to have met Christie Stratos. We actually met serendipitously after I posted one of my very first #TBTWriter stories (Confessions of a Sugarholic). She reached out to me and was eager to participate. Since then, she's shared a bunch of her writing throwbacks, complete with funny pics. You can check them out here.  I'm told that she'll also be posting one this Thursday. Yay! 

I eventually picked up Christie's book, Anatomy of a Darkened Heart, and couldn't put it down. I honestly didn’t know what to expect when I started to read it because I had never been a big fan of Victorian-era or historical books in general. I always suspected that they were boring and dry, but after having read Anatomy of a Darkened Heart, I can tell you that myth is bunk! I was absolutely and totally addicted to this book from the very first sentence. Whenever I wasn’t reading it, I was thinking about it and dying to know what was going to happen. As the story unfolded, it became darker and even more haunting (my favorite!). Now that I know that Victorian/historical books can be enjoyable, I seem to be reading them all the time now.

After that, we partnered on a few projects, including the GoIndieNow: Women in Publishing/Exhibiting Strong Leadership panel, and the editing of my latest book, The Nightmare Birds via her editing business, Proof Positive. So, as you can see...I'm very pleased to have met Christie and I'm excited to share her guest post about writing historical fiction with you today. Enjoy :)

 
How to Write Historical Fiction Without Really Trying


I never thought I would write historical fiction. In fact I specifically thought while reading a Sharon Kay Penman book, “I could never write historical fiction. It’s way too hard.”

Then I sat down to write Anatomy of a Darkened Heart, my debut novel that takes place during the Victorian Era: 1840-1861.

“I’ll just write the book for now and do the research later,” I thought. That was my plan so that I didn’t get bogged down in basic research and slow my creativity. Note the phrase “basic research”. I really wasn’t planning to include enough Victorian-specific objects or traditions to need to do much research at all.

Wrong again!

I found that I couldn’t more forward through some parts of the manuscript without checking to see if something was possible, whether it existed, or if it was believable for that time period. And when I did pigheadedly plow ahead prior to doing research, I heavily regretted it later because I had to do massive rewrites to make that section fit into the Victorian period (for example, using candles for nighttime lighting in a home instead of the time period appropriate oil lamps), and sometimes the consequences of that lack of research spread their tentacles farther through the book than I’d anticipated. I then had to clean up and sometimes drastically alter multiple parts of the book.

Then something strange happened. I got excited about inserting exact descriptions of real things that existed in that time period as well as only using accurate terms and words that were used then. It became one of the most exciting parts of writing the book. I changed words like “rug” to “floor cloth”, found out how Victorians cleaned a wood floor, researched exactly what kind of materials were used to make wallpaper and far more. While these things sound trivial, they’re part of what makes the book authentic, realistic, and visually accurate. And now the same excitement has spread into writing the rest of the four books and three short stories in the Dark Victoriana Collection.

And so without meaning to love writing historical fiction – or rather without meaning to write anything more than fiction that was generally accurate for the time period – I ended up with a 10-year publishing plan that revolves around historical fiction in different time periods. Because getting those details right so that you feel you’re really in the time period is more than just satisfying – it’s fulfilling.
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Awesome post, Christie. Writing historical fiction is something I'm definitely interested in, so this certainly gives me hope. I can't wait to read your upcoming book - Locke and Keye!
~~~



Bio: 
Christie Stratos is an award-winning writer and editor who holds a degree in English Literature. She is the author of Anatomy of a Darkened Heart, the first book of five in the Dark Victoriana Collection. Christie has had short stories and poetry published in Ginosko Literary Journal, Andromedae Review, 99Fiction, and various anthologies. An avid reader of all genres and world literature, Christie reads everything from bestsellers to classics to indies. 

Book links:
Or buy the paperback directly from the author for the same price as Amazon, but signed and with a personalized note! http://christiestratos.com

Social Media Links: